Young American journalist Bryan Mealer was looking for adventure and Africa seemed to be the perfect place. Originally it was the more benign experiences of the continent’s wildlife that he had in mind but soon he was thrust into a different sort of escapade—indeed one that turned out to be the very antithesis of Africa’s natural beauty.
The Democratic Republic of the Congo is a mess. Millions of its citizens have died as a result of war there in recent decades—more deaths than in any other conflict on earth since World War II—and the country has more or less lost its long struggle for stability. Like his friends back home Mealer knew almost nothing about the Congo before he was asked to cover the sprawling nation and its plight for the Associated Press. But he dives right in and soon finds himself—both figuratively and, sometimes, literally—mired in the muck of Congo’s history and recent political situation.
Like a modern-day Joseph Conrad, Mealer comes back from the abyss and brings us All Things Must Fight to Live. It is a somewhat disjointed collection of his three years as a reporter in Congo where he covered an election, cycled through the jungle, and meandered in broken-down boats and trains to document just how much of a failed state the country really is.
Mealer is a gifted writer who reports his harrowing experiences with humility and humanity. He wisely leaves himself out of most of his writing, except to remind his readers often about how frustrated he feels that such atrocities are occurring in the Congo without anyone really knowing or caring, and to note how difficult it is for him to adjust to life back home after being witness to such events. Fair enough. But it’s a bit ironic that after finishing All Things Must Fight to Live the reader is left with little more than a collection of unimaginable human carnage, inhumane suffering, and almost laughable dysfunction.
Mealer does his best to sprinkle in some of Congo’s complex and cruel history—from Belgium’s King Leopold, to the dictator Mobutu, to the present day—but it isn’t really enough to provide the context necessary to understand, even slightly, why Congo is in such disarray. As a result this precludes any discussion or analysis of a way forward for Congo and leaves the uninitiated reader with very little to take away except a deep sense of dispair.
In the end, while All Things Must Fight to Live is a well-reported catalog of the Congo’s recent troubles, it proves to be little more than that. Instead it amounts to yet another story of a young, white, writer making his way through the jungles of Congo and living to tell the tale. And we’ve read about that before.













